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The Galpin Society | The University of Edinburgh |
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URL: http://www.euchmi.ed.ac.uk/gxtpp.html
The biennial conference of the Galpin Society will be held in Edinburgh, 23rd - 25th June 2022.
The meeting will be hosted by the University of Edinburgh and will be centred on St Cecilia's Hall, location of the University's Musical Instrument Museum.
Thursday 23rd June
Papers Session A, St Cecilia's Hall
Papers Session B, St Cecilia's Hall
Break for lunch
Papers Session C, St Cecilia's Hall
Demonstration of instruments from the University Collection: Scottish fiddle champion Tim MacDonald demonstrates violins and fiddles, including the Bassano 'violin without sides' and a selection of recently acquired Scottish-made instruments.
Papers Session D, St Cecilia's Hall
Dinner on your own
Saturday 25th June
Sunday 26th June
This page updated: 21.6.22
Further information: e-mail: euchmi@ed.ac.uk
Papers Session E, St Cecilia's Hall
Papers Session F, St Cecilia's Hall
Break for lunch
Papers Session G, St Cecilia's Hall
Demonstration of instruments from the University Collection: Tony George, Professor of Ophicleide and Serpent at the Royal Conservatoire of Scotland, demonstrates low brass including the contrabass serpent, 'The Anaconda'.
Papers Session H, St Cecilia's Hall
20:00 Conference Banquet, South Hall, Pollock Halls
Papers Session I, St Cecilia's Hall
Demonstration of instruments from the University Collection: Early keyboard specialist David Gerrard will perform on a selection of keyboard instruments in the collection.
Papers Session Session J, St Cecilia's Hall
Break for lunch and Galpin Society Committee meeting
Papers Session K, St Cecilia's Hall
15:00 Galpin Society Annual General Meeting, St Cecilia's Hall
Papers Session L, St Cecilia's Hall
Dinner on your own
Trip to Kilmarnock: this excursion will take participants to the south-west Scottish town of Kilmarnock.
During the trip we will visit the Dick Institute, where the Dean Castle musical instrument collection is being temporarily stored while the castle undergoes renovation.
Curators are granting us special access to the Institute that day so we may examine the collection,
which was assembled at the end of the 19th century by Charles van Raalte of Brownsea, Dorset.
Highlights include guitars by Mateo Sellas (1638) and Magno Stregher (1621),
a seventeenth-century Dutch bass drum,
a treble viol by Henry Smith (1623),
two early nineteenth century harps,
a recorder by Walch,
an oboe by Lenglet,
two eighteenth century Italian dulcimers,
an English guitar by Hintz,
several interesting 18th century mandolins,
and a number of lutes (all of them modified in the 19th century, likely by Franciolini).
After lunch, we will venture to the impressive country park surrounding Dean Castle for a breath of fresh air
while taking in the scenery around this fourteenth-century castle (weather permitting).