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Clarinet and Woodwind Colloquium 2007

CELEBRATING THE COLLECTION OF SIR NICHOLAS SHACKLETON

Meeting organised by the Edinburgh University Collection of Historic Musical Instruments

22-24 June 2007

Reid Concert Hall, Bristo Square

Web URL: www.music.ed.ac.uk/euchmi/uec

See also the Colloquium Proceedings

See also the Colloquium Booking Form

The late Sir Nicholas Shackleton (1937-2006), in addition to his outstanding achievements in earth science, made significant contributions to the clarinet scholarship, both through his own research and by forming a substantial collection of clarinets and other woodwind instruments. Sir Nicholas made his collection available to the international community of organologists. The Sir Nicholas Shackleton Collection was bequeathed to the University of Edinburgh who will continue Sir Nicholas's use of the Collection to support learning and research. A new display of the Collection will be inaugurated during this meeting.

PROGRAMME

Joining Instructions and links to maps are at the foot of this page.

WEDNESDAY JUNE 20 and THURSDAY JUNE 21

Meeting of the Musical Acoustics Network focussing on woodwind acoustics. This meeting is being organised by the School of Physics in the University of Edinburgh, and will be held on the University's Kings Buildings campus. Accommodation may be booked at the same time for both this meeting and for the Clarinet and Woodwind Colloquium.

FRIDAY JUNE 22, MORNING

8:30 :: registration Session, chair: Deborah Check Reeves

8:50 Welcome and Introduction to the Colloquium

9:00 Clarinets by the Denner family of Nürnberg
  • David Ross, University of Texas - El Paso, U.S.A.
  • 9:25 The Viennese Wind Instrument Maker, Theodor Lotz (c 1747-1792)
  • Melanie Piddocke, The Hague, Netherlands and Santes, France
  • 9:50 Heinrich Grenser's Keywork Concepts
  • Eleanor Smith, University of Edinburgh
  • 10:20 :: coffee

    Session, chair: Nophachai Cholthitchanta

    10:50 The Origins of French and German Clarinets
  • Eric Hoeprich, Royal Conservatory of Music, The Hague, the Netherlands and Conservatoire National Supérieur de Musique, Paris
  • 11:20 The Basset Horn in France in the 18th Century
  • Jean Jeltsch, Université de Lille 3 Charles-de-Gaulle, Lille, France
  • 11:55 Clarinets of the Clinton Family
  • James Joseph, Northumberland
  • 12:30 :: lunch (on your own)

    FRIDAY JUNE 22, AFTERNOON

    Session, chair: Ingrid Pearson

    14:00 Iwan Müller's Soprano Clarinet: Structural Evolution towards Adophe Sax's Bass Clarinet
  • Juncal Diago Ortega, University of Valladolid, Spain
  • José-Modesto Diago Ortega, Professional Conservatory of Music of Soria, Spain
  • 14:30 The Bass Clarinets of Adolphe Sax and their Historical Importance
  • Albert Rice, Fiske Museum, Claremont Colleges, California
  • 15:05 Clarinets by Adolphe Sax
  • Thomas Reil, Uhingen, Germany
  • 15:35 :: tea

    Session, chair: Marlowe Sigal

    16:05 The Early American Clarinet: Makers, Sellers, Players
  • Jane Ellsworth, Eastern Washington University, Spokane, Washington, U.S.A.
  • 16:40 Boosey and Company: Trade in Clarinets in the Late 19th Century
  • Kelly White, Albuquerque, New Mexico
  • 17:05 Clarinet Resources in the Boosey & Hawkes Collection and Archive
  • E. Bradley Strauchen, Horniman Musuem, London
  • 17:30 The Clarinets in the Collection of the Royal College of Music, London
  • Ingrid Pearson, Royal College of Music, London
  • 18:30 Reception at St Cecilia's Hall, hosted by Dr John Scally, Director of University Collections. Aftwerwards there will be an opportunity to see the Raymond Russell and Rodger Mirrey collections of early keyboard intruments

    SATURDAY JUNE 23, MORNING

    Session, chair: Graham Wells

    9:00 The Gaida Bagpipe in the Evros region of Greek Thrace
  • Haris Sarris, University of Athens
  • 9:25 A Prescription for the Clarinet's Sore Throat: Throat B-flat Mechanisms as Illustrated by Clarinets from the Nicholas J. Shackleton Collection
  • Deborah Check Reeves, National Music Museum, University of South Dakota, Vermillion
  • 10:00 The Reform Boehm system: Right Compromise Between French and German Systems ?
  • Luigi Magistrelli, Italy
  • 10:15 Louf system: Belgian and French patents in Comparison with a Prototype in the Shackleton Collection
  • Denis Watel, France
  • 10:35 :: coffee

    Session, chair: Anthony Deldonna

    11:05 Stubbins SK System Clarinet
  • Nophachai Cholthitchanta, Fulbright College of Arts & Sciences, University of Arkansas, U.S.A.
  • 11:25 Clarinet Forked Eb/Bb; a New Approach
  • John Playfair, U.K.
  • 11:40 Geometry Versus Performance of a Clarinet Mouthpiece
  • William Peatman, Berlin
  • 12:10 :: lunch

    SATURDAY JUNE 23, AFTERNOON

    14:00 Opening of the exhibition of the Sir Nicholas Shackleton Collection and launch of the catalogue
  • The Principal of the University of Edinburgh, Professor Timothy O'Shea, will formally accept the Collection
  • 15:00 :: tea

    Session, chair: Arnold Myers

    15:20 Nick Shackleton: Collector Extraordinaire
  • William Waterhouse, London and Cheltenham
  • 15:50 The Sir Nicholas Shackleton Collection in the Edinburgh Collection of Historic Musical Instruments: an Overview
  • Heike Fricke, Berlin
  • 16:25 Musical History: Historical Music
  • Colin Lawson, Royal College of Music, London
  • 19:00 Colloquium Dinner at the John McIntyre Centre, Pollock Halls. Aperitifs in the Duddingston Room, or on terrace (weather permitting); dinner in the Prestonfield Hall; after-dinner music by the Andrassy Trio

    SUNDAY JUNE 24, MORNING

    Session, chair: Jane Ellsworth

    9:00 The Home Key of the Clarinet
  • John Dick, Rothesay, Isle of Bute, U.K.
  • 9:15 The Clarinet in the Edinburgh Enlightenment
  • David Johnson, Edinburgh
  • 9:40 The Clarinet in works of Franz Xaver Süssmayr (1766-1803): Anton Stadler and the Mozartian example
  • Martin Harlow, Royal Northern College of Music, Manchester, U.K.
  • 10:05 :: coffee

    Session, chair: Eric Hoeprich

    10:35 The Late Eighteenth-Century "Dramatic" Clarinet in Italy: the San Carlo Opera Orchestra of Naples
  • Anthony DelDonna, Georgetown University, Washington DC
  • 11:05 The Neapolitan "School" of Clarinet
  • Antonio Caroccia, Naples, Italy
  • 11:30 Clarinets and Tárogatók used in the Viennese Court Opera under the direction of Gustav Mahler
  • Beatrix Darmstaedter, Sammlung alter Musikinstrumente, Kunsthistorisches Museum, Vienna
  • 12:00 The "Melba Gift": the Role of Woodwind and Brass Instruments in the History of the Stabilisation of Pitch Standards in Melbourne in the early Twentieth Century
  • Simon Purtell, Norman Macgeorge Scholar, University of Melbourne, Australia
  • 12:15 :: lunch (on your own)

    SUNDAY JUNE 24, AFTERNOON

    Session, chair: Albert Rice

    14:15 Brazilian clarinet music by the composer Francisco Mignone and his "Concertino for clarinet and orchestra"
  • Fernando Silveira, Rio de Janeiro State Federal University, Brazil
  • 14:40 The Derivation of Contemporary Performing Techniques
  • Ian Mitchell, Trinity College of Music, London
  • 15:25 The New Clarinet in Japan
  • E. Michael Richards, University of Maryland, Baltimore County, Baltimore, Maryland, U.S.A.
  • 16:00 :: tea

    MONDAY JUNE 25

    Opportunity to view and study historic musical instruments in the University's collection, by appointment. Requests for items to be studied should be notified by e-mail in advance.

    Accommodation

    Moderate-cost accommodation in Edinburgh (single and double rooms) has been booked at Pollock Halls, in a spectacular location at the foot of Arthur's Seat. Accommodation may be booked at the same time for both this meeting and for the Musical Acoustics Network meeting.

    Accompanying Persons

    The Accompanying Persons Fee includes attendance at the reception, the formal opening of the exhibition of the Sir Nicholas Shackleton Collection, afternoon tea and the afternoon session on Saturday 23rd, and the Colloquium Dinner.

    Fees and Booking

    See the Colloquium Booking Form

    Joining Instructions

    Reaching Edinburgh: see www.ed.ac.uk/maps/travel

    All the Clarinet and Woodwind Colloquium sessions are at the Reid Concert Hall. A map can be seen at www.music.ed.ac.uk/euchmi/rch (The area described as "Paid Parking" is now a building site).

    The reception on Friday 22nd is at St Cecilia's Hall marked on the same map.

    Accommodation and the dinner on Saturday 23rd are at Pollock Halls. See Pollock Halls location map [PDF] and Pollock Halls local map [PDF].

    The guaranteed check in time is from 14:00, although if the room is ready earlier or if there is a clear room then you will be able to have access before then. Check out is 10:30. There are staff in reception 24hrs so there is no latest check in time.

    See www.ed.ac.uk/maps/edinburgh for a general map and more maps.

    Further information

    Arnold Myers
    Collection of Historic Musical Instruments,
    University of Edinburgh,
    Reid Concert Hall,
    Bristo Square,
    EDINBURGH EH8 9AG, U.K.

    This page updated: 20.6.07; re-published 13.2.13